Howard McCullum (Vocals, Bass Guitar)

Jim Christopulos (Drums)

Rocco Calipari (Electric Guitars)

Pete Galanis (Electric Guitars, Lap Steel)

It’s been six years since Chicago blues veterans

Howard & the White Boys last put out a CD,

but their new Evidence Records release,

Made in Chicago, more than makes up for

lost time. Their impressively large fan base

on both sides of the Atlantic won’t be

disappointed. Not by a long shot. Made

in Chicago represents the zenith of the

band’s recorded output, and it’s certainly

the disc that Howard & the White Boys

are most proud of. While the band hasn’t

recorded in six years, they’ve been gigging

continuously throughout the U.S. and Europe

and this has lent their trademark brand of

contemporary blues an indomitable tightness

brimming with raw power. All of this comes

through on the new disc, proving that the wait

was well worth it.

While past studio outings spotlight the group’s

songwriting prowess and contain 90% original

material, Made in Chicago affords the band

an opportunity to put their own unique stamp

to tunes they didn’t write but enjoy performing

nonetheless. Of the nine songs on the new release,

seven are covers (some quite obscure) of songs

the band has been playing live for some time.

Yet, all are performed in the celebrated HWB

style which will be immediately recognizable

to long-term fans.

Recorded in the windy city, Made in Chicago is aptly titled. But it’s also apropos because Chicago, a city steeped in blues history, is where the band have honed their chops almost since their inception in 1988. Howard & the White Boys have established a reputation as one of the city’s favorite attractions and regular appearances at Buddy Guy’s Legends has afforded them an opportunity to display their wares before locals and out-of-towners who come to Legends to hear the best the city has to offer in blues entertainment. Indeed, Buddy Guy has been their unofficial mentor. Guy’s support for the band has been instrumental in exposing them to a wider audience. In 1995, he took them on a major Midwestern tour as his opening act, and he often jumps onstage to jam with them when they appear at Legends. He also gave them the ultimate endorsement by making a rare guest appearance on their 1999 release The Big $core. He plays some scorching guitar and sings a duet with Howard on a remake of the Sam & Dave classic “I ThankYou.”

The members of Howard & the White Boys

first met at Northern Illinois University

in Dekalb in 1988 and began jamming

together just for fun, but their fast-growing

popularity soon convinced them they could

make a career of it. After only a few months,

they got their first big break by opening for

B.B. King. The band soon made the move to

Chicago and began performing with the

biggest names in blues: Koko Taylor,

Albert King, Junior Wells, Lonnie Brooks,

Luther Allison, Bo Diddley, and Chuck Berry.

Between 1994 and 1997, the group made two

highly acclaimed recordings, Strung Out On

The Blues and Guess Who’s Coming To Dinner?,

for Los Angeles based Mighty Tiger Records. They began traveling extensively across the United States and their growing popularity captured the attention of Philadelphia based Evidence Records. The Big $core was the first of two successful discs released by Evidence, and the band wasted no time in promoting it via the first of many trips to European countries such as Belgium, France, Italy, Holland, Switzerland, Norway, Germany, Luxembourg, and England. Riding the ever-growing wave of popularity both at home and abroad, the group then released a well-received live CD for Evidence entitled Live At Chord On Blues in 2000.

In 2004, long time band members Howard McCullum, Rocco Calipari, and Jim Christopulos were joined by 26 year old guitarist Pete Galanis. Galanis’ tight blues chops—coupled with his natural versatility at handling the funk, R & B, and rock styles that have become Howard & the White Boys trademarks—have magnificently slotted right in with the group’s signature sound and have also lent it an exciting, youthful exuberance, readily apparent on Made in Chicago. The band is now focusing on touring to support the new CD and working on material for their next one.

This is a blues band that can rock or funk out when needed, not a rock band that can play blues. Howard & the White Boys are top contenders among the next generation of blues artists.--Matthew Socey, Blues Revue. The band is very talented and skin tight. Howard's

vocals are solid throughout and the band's original material is excellent. Best of all, this band connects well with the audience. While you listening to this recording, you may swear that you are listening to old friends playing at a private party. There is a genuineness in their sound which you will find quite refreshing. © Bluesrockers 2001

This four member band from Chicago blends blues-rock and funk with catchy rhythms and straight blues, a combination resulting in a highly entertaining CD. ELECTRIC BLUESWhile the band’s fusion of funk, R&B, and rock with contemporary blues strays pretty far from the pioneering colors of Muddy Waters and Willie Dixon, they’ve got the same emotional outpouring and fiery guitar action that has always characterized Chicago blues. Jim Santella/ALLABOUTJAZZ.COM

What I like best about Howard and the White Boys is that they can lay a groove a mile long and a mile wide, and they don’t slick it up or rock it out. No, this is not Kenny Wayne Sheppard or Jonny Lang, this is Chicago blues and probably one of the best bands around doing it. By Joseph Filipak ChicagoGigs.com